Michael Joseph Harris :: guitarist & composer
Ultrafaux performs original music which is influenced by jazz Manouche, gypsy folk music, swing, be-bop, funk, blues, and French musette.
The Hot Club of Baltimore performs inspired arrangements of the Django Reinhardt repertoire and vintage Jazz.
Michael Joseph Harris began playing guitar at the age of 12 and quickly became skilled in jazz by age 16, winning accolades as guitarist with the Downbeat Magazine award-winning Chantilly High Jazz Band. Harris learned many styles of guitar playing by ear and through private instruction with guitarist Rick Whitehead of the Airmen of Note during high school, then later with the legendary Jazz educator Jack Petersen at North Texas State University. The young guitarist favored learning by experience to the structure of formal education and soon began performing non-stop with his own projects in various styles including straight ahead jazz, original rock, funk, fusion, blues, Latin, Brazilian, and jam band music influenced by the style of Congolese guitarist Franco.
Harris founded the Afro Latin Jazz group Bossalingo in 1996 and worked as a freelance guitarist in the DC area until moving to Baltimore in 2006. Bossalingo began as a trio with drummer Tom Barrick and bassist Eric Leifert and then quickly expanded to include various percussionists such as Alejandro Lucini, Rene Ibanez, Jose Lopez, Bruno Lucini, and Alfredo Mojica with bassist Leo Lucini, Jake Leckie, drummer Mike Kuhl, and Cesar Orozco on piano.
The guitarist became a father to his daughter Lotus in 2008 and finally returned to the recording studio in 2011 to produce Steps Beyond, an instrumental jazz recording of Cuban-inspired originals. The highlight of the Steps Beyond Tour was a sold out set at Blues Alley in 2011 which included grammy-winning guest pianist Arturo O’Farrill. The success of the show and the subsequent tour launched Harris onto the path of performing his own compositions exclusively.
In 2012, Michael began studying and playing the music of legendary French Manouche guitarist Django Reinhardt which led to the creation of Hot Club of Baltimore later that same year. Harris then founded Ultrafaux in 2014 to perform his original compositions in the style commonly known as Gypsy Jazz. A popular self-produced YouTube concert video from that same year titled Ultrafaux & Friends helped to create a worldwide audience with over 60,000 views to date.
Michael has self-produced six full-length Django Reinhardt-inspired recordings with both groups. Harris’ song Latcho Dromo was chosen to be included on an International compilation of the best gypsy jazz from all over the world produced by Jon Larsen called Django Festival #9. Hot Club of Baltimore’s recording of Place de Brouckere was included on Django Festival #10 the following year, followed by Ultrafaux’s Signs of Struggle on Django Festival #11.
Ultrafaux has done successful tours of the U.S., Europe, and Canada including performances at Festival Django Reinhardt in Fontainebleau, The Kennedy Center, Charm City Django Jazz Festival, Django by the Sea, Django-A-Gogo in New York, The Midwest Gypsy Swing Festival, Napa Valley Jazz Society, 1st Annual Baltimore Jazzfest, Djangoary, Django Birthday Festival, Valhalla Boathouse Theater, Red Poppy Arthouse, Jazz Club Lyon St. Georges, Art Base Brussels, and the IMT Folk Series.
Harris was named one of the top ten musicians in Baltimore by Baltimore Style Magazine and has been featured on the front page of The Baltimore Sun Weekend Section, CBS News, and WDVX Blue Plate Special multiple times. He is founder and artistic director for the popular Charm City Django Jazz Festival which happens annually during the last weekend of February at The Creative Alliance in Baltimore.
Before forming Ultrafaux and Hot Club, Michael led the group Bossalingo.
Bossalingo blends Jazz with Brazilian and Cuban rhythms in original compositions inspired by the music of Brazil, Cuba, American Jazz, Rock, World, and Folk.